Jade is an Aviation Safety Training Instructor with a love of Theatre, Cabaret, Musical Theatre, and music and is a committed advocate for the live performing arts industry in Sydney, Australia. From 2019-2023 she held a coveted position on the voting panel for the prestigious Sydney Theatre Awards and has been part of voting collegiate for the Helpmann Awards, the Australian equivalent of the Tony Awards. Prior to joining BroadwayWorld in 2014 Jade was a Special Guest Critic for GlamAdelaide, specialising in Cabaret.
Marc Lucchesi, Sarah Nandagopan and Jayan Nandagopan (joint Writers and Composers) new work THE MARVELLOUS ELEPHANT MAN THE MUSICAL arrives in Sydney as part of its current tour of the Fringe Festival Circuit. An absurd mashup of the Victorian era medical mystery and the tradition of the Penny Dreadful horror stories, this work draws artistic influence from vaudeville, cabaret, burlesque and slapstick humor but don’t expect much connection to Joseph Merrick’s real story.
Christine Dunstan Productions and Director Darren Yap bring Tim McGarry’s stage adaptation of Colleen McCullough’s novel, TIM, to The Riverside Theatre. This must-see work explores the journey of two people who form an intimate relationship that would traditionally be considered unorthodox.
Presented by Opera Australia, Cameron Mackintosh’s Revival of MISS SAIGON reunites the creatives from the 2004 Touring Production, which reached Australia in 2007, to reincorporate elements of the 1989 West End original while shifting the focus to make a more powerful message than the central love story.
Yoruba and Ngati Tuwharetoa musician Samuel Gaskin has created a multi art form performance that is a powerful celebration of indigenous culture using storytelling, original songs, and dance.
Kellen Blair (Book and Lyrics) and Joe Kinosian’s (Book and Lyrics) clever comic murder mystery MURDER FOR TWO is brought to life by Gabbi Bolt and Maverick Newman under Richard Carroll’s direction.
Presented as part of Belvoir St Theatre’s 25A series, SATURDAY GIRLS is an honest expression of the teen female experience with the added challenge of sexual discovery.
Highlighting mature women’s stories, THE WEEKEND is brought to the stage with Sarah Goodes (Director) presentation of Sue Smith’s adaptation of Charlotte Wood’s 2019 novel of the same name.
ELVIS - A MUSICAL REVOLUTION is an enlightening and entertaining new bio-musical about the late Elvis Presley.
Australian singer and actress Bernadette Robinson brings her latest vocal tribute to Sydney with her latest cabaret concert, DIVAS.
Director Ian Michael delivers a captivatingly beautiful expression of Nick Payne’s contemplation of the effect the theory of multiple universes on a heartbreaking love story in CONSTELLATIONS.
Debra Oswald’s MR BAILEY’S MINDER has a new resonance in an age when the ‘greats’ are finally held to the same standard as the rest of society and their bad behavior is no longer ignored.
Victorian Opera’s incoming Artistic Director Stuart Maunder AM revives his a deliciously dark but incredibly clear expression of Stephen Sondheim (Music and Lyrics) and Hugh Wheeler’s (Book) SWEENEY TODD: THE DEMON BARBER OF FLEET STREET – A MUSICAL THRILLER.
Director Kip Williams delivers a captivating production of Tommy Murphy’s adaptation Nevil Shute’s 1957 novel ON THE BEACH.
Erica J. Brennan’s new play THE HERO LEAVES ONE TOOTH reimagines a world where female superpowers are more than just cautionary myths.
Mike Lew(playwright/adaptor) reworks Shakespeare’s tragedy for a modern audience with TEENAGE DICK.
Michelle Law (playwright) draws on childhood memories of when she finally saw people like herself on screen to create MISS PEONY, a work that celebrates retaining a connection to her heritage while challenging what it means to identify as Chinese in 21st century Australia.
International icon of intelligent cabaret, Reuben Kaye, has finally been able to present THE BUTCH IS BACK in Sydney and the 1600 strong audience at Enmore Theatre couldn’t have been happier to have the Melbourne born Glamazon grace the Sydney stage after the April show was cancelled due to security and safety concerns.
CITY OF ANGELS bursts onto the Hayes stage with a finely tuned cast and voices to die for. With memorable songs, witty dialogue, and a touch of noir, CITY OF ANGELS offers a captivating exploration of storytelling and the price one pays for success in the City of Dreams.
Disney’s BEAUTY AND THE BEAST: THE MUSICAL returns to Sydney with a refreshed production incorporating new technology to entrance a new generation.
Almost 4 decades after BENEFACTORS premiered in 1984, Michael Frayn’s comic contemplation of the effect of an Architect’s solution to London’s housing crisis on his family and friends retains a relevance as human behavior with regards to giving and taking, supporting and surviving is eternal.
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